You can find the my favourite panorama (Color Mode: HDR, increased Gamma, Blending Preset: Exposure Fusion) right here. You will need to use another HDR editor to deal with the. This is the weak element in the HDR production chain with AutoPano Pro. It is also important to notice that the Radiance HDR file format that Autopano Pro produces is incompatible with Photoshop. Color Mode: HDR, Gamma: 2, Blending Preset: Exposure FusionĬolor Mode: HDR, Gamma: 2, Blending Preset: HDR Output (as 16 bit PSB) I adjusted it to 2 and the results were much better. Color Mode: Auto, Blending Preset: Exposure FusionĬolor Mode: Auto, Blending Preset: Anti-GhostingĬolor Mode: Auto, Blending Preset: HDR Output (as PSB 16 bit)Ĭolor Mode: HDR, Blending Preset: Exposure FusionĬolor Mode: HDR, Blending Preset: HDR Output (as 16 bit PSB)Īs you can see, the HDR Preset is far too dark and there is a third parameter you can adjust, the Gamma value. I systematically varied these two settings to get an impression on what results the may produce. You can also set the Blending Presets to Simple, Anti Ghosting, Exposure Fusion and HDR Output. You can set the Color Mode to None, Auto and HDR. There are two settings that you can play with that will heavily influence how your final panorama will look like. Autopano has several modes to select the best exposed pixel. When you stitch the panorama together in AutoPano Giga, for example, you can use all three exposures. For any shot you will have in fact three shots, each with a low, medium and high exposure. Each of these photos will be several exposures apart from the others. Finding a compromise exposure for your camera might be difficult and hence we are using bracketing to shoot multiple photos of the same area. But Autopano Pro / Giga in trial mode dont allow to save the project file (.pano) so you couldnt level the horizon of a video if you just used Autopano Pro/Giga and Autopano Video both in trial mode. One problem when shooting GigaPixel panoramas is that some parts of your panorama will be very light due to the sun shining directly on them while other areas might be very dark, for example by simply being in the shadow. We released Autopano Video some time ago and it appears that to be able to try it well, Autopano Pro or Giga were needed to level the horizon. I have uploaded a few on GigaPan’s website. You can stitch hundreds even thousands of photos together into one GigaPixel panorama. ![]() The GigaPan Epic Pro is a robotic camera head that tilts and pans your camera before triggering the shot. There is still a need to panoramas with high resolution that can only be taken by stitching multiple photographs together. ![]() ![]() But their 4K resolution is spread thin across the whole 360 degree viewing angle. Same footage exported with same software using Cineform MOV 422 Medium preset at 7936x3968 (8K) is exactly 25fps and has no such artefacts whatsoever.ĭon't want to be stuck with huge 8K render files of Cineform even with handy Edius proxies for dailies and rough cuts, looking for a solution to the problem.Taking 360 degrees panoramic photographs has become easy due to the arrival of dedicated 360 cameras, such as the Ricoh Theta V. Needless to say it looks jittery on a 25p timeline. Same footage exported with GoPro's native Kolor Autopano Video Pro as the stitched 360 degrees video at 25fps using H264 MP4 HD (1920x960) - when ingested into Edius - shows odd 25.03 or even 25.06 fps (image 02 attached).įrame rate varies from export to export which is even more odd! Separate cameras shots when ingested into Edius show exactly that - 25fp (image 01 attached). Source footage shot with GoPro Hero 4 Black at 2.7K, PAL 25fps. Any GoPro OMNI shooters/editors here that use Edius?Įntire forums threads and posts search returned 0 mentions of OMNI so I might be the first.Įdius 8.3 though I noticed same thing happening with 8.2 prior to yesterdays upgrade.
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